BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
13286 / 18210 · Workshop 104 — Writing Strong Original Melodies: Motif, Contour, Repetition, Tension, Climax, and How to Make a New Tune Feel Inevitable Instead of Random← prev⊞ allnext →

104.108Level 81 — write melody over changing chords first

Use progression.

But forbid playing chord tones on every strong beat.

Force melody to use:

extensions

passing tones.

Avoid arpeggio-like predictability.