13725 / 18210 · Workshop 106 — Composing Bass Lines That Carry the Piece: Root Motion, Counterpoint, Groove, Inversions, Pedals, and Bass as a Source of Harmony← prev⊞ allnext →
106.159Conceptual application to “Happy Birthday”
Use the public-domain melody and deliberately reharmonize from bass only.
Version 1:
simple roots.
Version 2:
stepwise inversion bass.
Version 3:
chromatic approach into phrase cadences.
Version 4:
tonic pedal first phrase, more active bass later.
The melody remains fixed.
Observe how much emotional/formal character the bass alone changes.