BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
13819 / 18210 · Workshop 107 — Composing Inner Voices and Counterpoint: Making the Middle of the Texture Carry Meaning Instead of Merely Filling Chords← prev⊞ allnext →

107.78Level 61 — write melody first, inner line second, bass third

Different order from last workshop.

Take melody.

Write a complementary inner line.

Then choose bass/harmony supporting both.

This can generate unique chords.