26.45Pop uses chord inversions to support melody
Suppose melody:
G → G → A → G
and progression:
C → G → Am → F.
Choose each voicing so that the melody remains on top.
This is exactly the same technique as jazz, even if the chords are simpler.
Suppose melody:
G → G → A → G
and progression:
C → G → Am → F.
Choose each voicing so that the melody remains on top.
This is exactly the same technique as jazz, even if the chords are simpler.