2604 / 18210 · Workshop 7 — “Misty”: Lush Ballad Voicings, Melody-as-Extension, Rubato, and Harmonic Restraint← prev⊞ allnext →
7.5Melody as a chord tone
Suppose melody note is:
C over Cmaj7.
That is root.
E over Cmaj7:
3rd.
G:
5th.
B:
maj7.
These are obvious.
But ballad color becomes especially interesting when melody is not a basic triad tone.