3974 / 18210 · Workshop 22 — “There Is No Greater Love”: Major-Key Fluency, ii–V Compression, Secondary Dominants, and Making a Standard Feel Effortless← prev⊞ allnext →
22.11Level 4 — identify packets
Do not read the form as:
chord-chord-chord-chord.
Mark:
- ii–V
- tonic area
- secondary dominant → destination
- turnaround
- cadence
This should reduce a large part of the chart to a handful of familiar structures.