4003 / 18210 · Workshop 22 — “There Is No Greater Love”: Major-Key Fluency, ii–V Compression, Secondary Dominants, and Making a Standard Feel Effortless← prev⊞ allnext →
22.40But notice
If you just used:
B° → Cm
and later:
B7 → B♭,
B natural becomes a recurring structural chromatic pitch.
This can actually unify an arrangement.
Interesting arranging idea.