5091 / 18210 · Workshop 33 — “Dolphin Dance”: Ambiguous Tonal Centers, Lydian Colors, Slash Chords, and Harmony That Changes Its Meaning While You Listen← prev⊞ allnext →
33.91And notice how little technique it requires
One sustained melody note.
Four bass notes.
Minimal RH voice movement.
Yet the result can sound far more advanced than a dense arpeggio.
This is exactly why:
voice-leading sophistication beats note-count sophistication.