5267 / 18210 · Workshop 36 — “Caravan”: Phrygian-Dominant Color, Dominant Pedals, Harmonic Minor, and When a Dominant Chord Becomes the Home Sound← prev⊞ allnext →
36.3This is the key paradox
A dominant can be:
Functional dominant
G7 → C.
or:
Modal/static dominant center
G7-like harmony that lasts and becomes the current tonal environment.
Same basic chord.
Different behavior over time.