6391 / 18210 · Workshop 46 — “Spain”: Phrygian Color, Fast Latin-Jazz Motion, Sudden Key Centers, and Keeping the Groove Alive While the Harmony Moves← prev⊞ allnext →
46.53Level 22 — melodic phrase ignores every chord boundary
This is essential.
If chords change twice per bar:
the melody does not need a new idea twice per bar.
Write a two-bar phrase.
Let chords pass underneath.
Target only:
one or two important arrivals.