BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
6844 / 18210 · Workshop 51 — “A Night in Tunisia”: Pedal Bass, Phrygian-Dominant Color, Afro-Latin Ostinato, Bebop Contrast, and Switching Musical Worlds Without Losing the Form← prev⊞ allnext →

51.29But retain one common element

Perhaps:

same tempo.

Or:

same melodic motif.

Or:

same bass contour fragment.

Something should cross the boundary.

Otherwise it may sound like two unrelated pieces glued together.