6823 / 18210 · Workshop 51 — “A Night in Tunisia”: Pedal Bass, Phrygian-Dominant Color, Afro-Latin Ostinato, Bebop Contrast, and Switching Musical Worlds Without Losing the Form← prev⊞ allnext →
51.8This is important
Normally we learn:
A7 → Dm.
But a dominant-quality sonority can sometimes be prolonged for many beats or bars.
So distinguish:
Dominant quality
the chord contains dominant-type intervals.
Dominant function
the chord is actively behaving as V of a destination.
The same chord can do one or both.