8166 / 18210 · Workshop 65 — Motivic Development Across Harmony: Sequence, Inversion, Fragmentation, Rhythmic Mutation, and Making One Small Idea Survive an Entire Form← prev⊞ allnext →
65.35Level 17 — motif through triad pairs
C Lydian:
use motif from C-major triad:
E-G-C.
Then reshape inside D-major triad:
F♯-A-D.
Same rhythmic identity.
The triad pair becomes motivic dialogue.