8193 / 18210 · Workshop 65 — Motivic Development Across Harmony: Sequence, Inversion, Fragmentation, Rhythmic Mutation, and Making One Small Idea Survive an Entire Form← prev⊞ allnext →
65.62This solves a major arranging problem
How do you change style without sounding like disconnected sections?
Carry:
- motif
- hook
- bass figure
- rhythmic cell
across the transition.
The listener hears continuity.