9670 / 18210 · Workshop 79 — Harmonic Density vs. Melodic Freedom: How Much Harmony Is Enough, When to Leave Space, and How to Avoid “Over-Explaining” Every Note← prev⊞ allnext →
79.101Mini-composition exercise
Write a 32-bar piece where density—not chord complexity—is the main form-building tool.
Requirements:
- first 4 bars: melody + bass only
- next 4: one inner guide-tone line
- at least one 3-note texture sustained for an entire phrase
- one long melody note left completely unsupported initially
- one dense altered chord used only once
- one phrase where all passing melody notes remain unharmonized
- one cadence with dense dominant→single-note tonic resolution
- one cadence with sparse dominant→full tonic block
- one section where root/function remain stable while voicing density changes
- one climax created mainly by vertical density
- final 4 bars gradually remove chord tones until only open interval or single note remains
The harmony should feel intentional even when very little is physically played.