BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
9670 / 18210 · Workshop 79 — Harmonic Density vs. Melodic Freedom: How Much Harmony Is Enough, When to Leave Space, and How to Avoid “Over-Explaining” Every Note← prev⊞ allnext →

79.101Mini-composition exercise

Write a 32-bar piece where density—not chord complexity—is the main form-building tool.

Requirements:

  • first 4 bars: melody + bass only
  • next 4: one inner guide-tone line
  • at least one 3-note texture sustained for an entire phrase
  • one long melody note left completely unsupported initially
  • one dense altered chord used only once
  • one phrase where all passing melody notes remain unharmonized
  • one cadence with dense dominant→single-note tonic resolution
  • one cadence with sparse dominant→full tonic block
  • one section where root/function remain stable while voicing density changes
  • one climax created mainly by vertical density
  • final 4 bars gradually remove chord tones until only open interval or single note remains

The harmony should feel intentional even when very little is physically played.