10409 / 18210 · Workshop 86 — Through-Composed Solo Piano: Escaping “Head–Solo–Head,” Connecting Sections Without Resetting, and Making the Entire Performance One Continuous Narrative← prev⊞ allnext →
86.8Level 3 — countermelody becomes new lead
During the melody section, a secondary line appears.
At the transition:
main melody disappears.
Counterline continues.
Now it becomes:
primary melody of interlude.
This is a beautiful role transfer.