11088 / 18210 · Workshop 91 — Rhythmic Counterpoint: How Two Rhythmic Ideas Can Coexist Without Becoming Clutter← prev⊞ allnext →
91.68Level 53 — rhythmic foreground rotation
Eight-bar section:
Bars 1–2: bass foreground.
3–4: melody foreground.
5–6: comping foreground.
7–8: all align briefly.
The rhythm section becomes orchestrated like instrumental voices.