BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
11707 / 18210 · Workshop 95 — Arranging by Ear from a Recording: Extracting Melody, Bass, Harmony, Groove, Texture, and Form Without Depending on a Lead Sheet← prev⊞ allnext →

95.144Mini-project — full recording-to-piano workflow

Choose a song recording of approximately 3–5 minutes.

Create your own solo-piano arrangement entirely from listening.

Your written notes should include:

  • formal roadmap
  • meter/pulse/subdivision
  • tonal center(s)
  • structural melody
  • melody scale degrees at important points
  • structural bass line
  • harmonic rhythm
  • functional analysis
  • chord symbols
  • at least one guide-tone line
  • at least one important inner/chromatic line
  • groove description
  • texture map
  • register map
  • dynamic/density map
  • significant transitions
  • intro function
  • ending strategy
  • at least three signature details worth preserving
  • at least three details intentionally omitted
  • faithful reduction
  • final piano arrangement
  • one transformed version using a different groove or reharm approach

Do not begin by searching for a lead sheet.

The whole exercise is hearing architecture.