11707 / 18210 · Workshop 95 — Arranging by Ear from a Recording: Extracting Melody, Bass, Harmony, Groove, Texture, and Form Without Depending on a Lead Sheet← prev⊞ allnext →
95.144Mini-project — full recording-to-piano workflow
Choose a song recording of approximately 3–5 minutes.
Create your own solo-piano arrangement entirely from listening.
Your written notes should include:
- formal roadmap
- meter/pulse/subdivision
- tonal center(s)
- structural melody
- melody scale degrees at important points
- structural bass line
- harmonic rhythm
- functional analysis
- chord symbols
- at least one guide-tone line
- at least one important inner/chromatic line
- groove description
- texture map
- register map
- dynamic/density map
- significant transitions
- intro function
- ending strategy
- at least three signature details worth preserving
- at least three details intentionally omitted
- faithful reduction
- final piano arrangement
- one transformed version using a different groove or reharm approach
Do not begin by searching for a lead sheet.
The whole exercise is hearing architecture.