16405 / 18210 · Workshop 119 — Writing and Hearing Tension Arcs: How to Control Dissonance, Expectation, Delay, Release, and Emotional Pressure Across an Entire Piece← prev⊞ allnext →
119.76Level 62 — false return
Opening accompaniment returns.
But melody does not.
Listener thinks:
A is back.
Then realizes:
not yet.
Very effective.