17072 / 18210 · Workshop 121 — Improvisation as a Composition Engine: How to Capture Spontaneous Ideas, Recognize What Is Worth Keeping, and Turn a One-Time Performance into a Real Piece← prev⊞ allnext →
121.269Mini-project 6 — Personal-Language Inventory
Review:
10 recorded improvisations.
Make three lists:
Signature
devices that repeatedly sound like you.
Habit
frequent but neutral.
Crutch
appears when imagination stalls.
Then next piece:
use one Signature deliberately,
avoid one Crutch entirely.
This begins conscious style formation.