16863 / 18210 · Workshop 121 — Improvisation as a Composition Engine: How to Capture Spontaneous Ideas, Recognize What Is Worth Keeping, and Turn a One-Time Performance into a Real Piece← prev⊞ allnext →
121.60Level 15 — ending-first extraction
If your improvisation ends with:
Fm → Cm
plus descending melody:
A♭-G-E♭,
keep that.
Then ask:
what piece would make this ending meaningful?
Now compose backward.