2237 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →
3.16Chord-tone targeting
Over Cmaj7, target:
E or B.
Over Am7:
C or G.
Over Dm7:
F or C.
Over G7:
B or F.
Then resolve:
B → C
or:
F → E.
This makes even a simple solo sound harmonically aware.