2279 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →
3.58Create a contrary bass
Top line rises.
Bass falls.
For example:
top: E → G → A → B
bass: C → B → A → G.
Choose harmonies around that.
Now the turnaround becomes contrapuntal rather than chordal.