3451 / 18210 · Workshop 16 — “Autumn in New York”: Chromatic Major-Key Ballad, Borrowed Chords, Secondary Dominants, and Elegant Inner-Voice Motion← prev⊞ allnext →
16.16Sometimes C6 is better
C6:
C E G A.
It avoids the B-C semitone.
So for a warm ballad:
C6 or C6/9
may be more relaxed than Cmaj7.
This is not “less sophisticated.”
It is a color choice.