3489 / 18210 · Workshop 16 — “Autumn in New York”: Chromatic Major-Key Ballad, Borrowed Chords, Secondary Dominants, and Elegant Inner-Voice Motion← prev⊞ allnext →
16.54Level 27 — melody paraphrase
First statement:
literal.
Second:
delay some arrivals.
Use one chromatic approach.
Perhaps octave-displace one phrase.
Final:
return to the original melodic shape.
The harmony can become richer while melody stays recognizable.