3439 / 18210 · Workshop 16 — “Autumn in New York”: Chromatic Major-Key Ballad, Borrowed Chords, Secondary Dominants, and Elegant Inner-Voice Motion← prev⊞ allnext →
16.4Why borrowed iv works so well in ballads
Because it creates a temporary shadow inside a major key.
You still know C is home.
But Fm introduces:
A♭
which belongs to C minor rather than C major.
That one pitch darkens the phrase.