BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
3567 / 18210 · Workshop 17 — “All of Me”: Secondary Dominants Everywhere, Turning a Simple Tune into a Functional-Harmony Laboratory← prev⊞ allnext →

17.46Circle bass versus chromatic bass

Circle:

E → A → D → G → C.

Strong functional movement.

Tritone-sub version:

B♭ → A

E♭ → D

A♭ → G

D♭ → C.

Strong chromatic movement.

These are two very different harmonic aesthetics.