3575 / 18210 · Workshop 17 — “All of Me”: Secondary Dominants Everywhere, Turning a Simple Tune into a Functional-Harmony Laboratory← prev⊞ allnext →
17.54Level 28 — strong-beat altered thirds
On each secondary dominant, place the altered third on a strong beat:
G♯ on E7
C♯ on A7
F♯ on D7
B on G7.
Then resolve.
This makes the entire harmonic chain audible.