5613 / 18210 · Workshop 39 — “Watermelon Man”: Blues-Funk Vocabulary, Dominant Vamps, Riffs as Harmony, and Making Repetition Feel Inevitable Instead of Boring← prev⊞ allnext →
39.43Level 19 — blues turnaround concept
You do not need a full traditional 12-bar lesson again.
Just hear the directional sequence:
F7 tonic field
→ B♭7 contrast
→ F7
→ C7 tension
→ F7 return.
That is enough harmonic architecture for a huge amount of music.