BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
5631 / 18210 · Workshop 39 — “Watermelon Man”: Blues-Funk Vocabulary, Dominant Vamps, Riffs as Harmony, and Making Repetition Feel Inevitable Instead of Boring← prev⊞ allnext →

39.61This is a good mature-theory example

There is not always one “correct” label independent of context.

Ask:

Am I describing a blues melodic gesture?

Then ♭3.

Am I voicing an altered dominant chord?

Then ♯9 may be useful.

Theory serves the task.