6018 / 18210 · Workshop 42 — “Take Five”: 5/4 Meter, Asymmetric Groove, 3+2 vs 2+3 Grouping, and Improvising Without Losing the Barline← prev⊞ allnext →
42.64Level 33 — rhythmic cadence
A phrase ending clearly on:
beat 5 → beat 1
can act like a cadence.
For example:
short figure on 4–5
then long E♭ on next 1.
No harmonic change.
Yet the listener hears arrival.