7704 / 18210 · Workshop 60 — “Butterfly”-Type Floating Harmony: Deep Pocket, Pedal Centers, Upper Structures, Parallel Voicings, Common-Tone Motion, and Making Harmony Feel Suspended Rather Than Functional← prev⊞ allnext →
60.51Level 23 — bass ostinato rather than held pedal
Instead of long C:
create a small C-centered riff.
For example:
C-G-B♭-G.
Repeat.
Now harmony floats above something rhythmically alive.
This is very fusion/soul-jazz-friendly.