7710 / 18210 · Workshop 60 — “Butterfly”-Type Floating Harmony: Deep Pocket, Pedal Centers, Upper Structures, Parallel Voicings, Common-Tone Motion, and Making Harmony Feel Suspended Rather Than Functional← prev⊞ allnext →
60.57Level 27 — structural bass shift
After long C:
move to A♭.
Keep high G.
Now G becomes:
maj7 of A♭.
That one unchanged top pitch suddenly creates beautiful tension.