7716 / 18210 · Workshop 60 — “Butterfly”-Type Floating Harmony: Deep Pocket, Pedal Centers, Upper Structures, Parallel Voicings, Common-Tone Motion, and Making Harmony Feel Suspended Rather Than Functional← prev⊞ allnext →
60.63Full-form architecture
Try:
Intro
C pedal + quartal colors.
A
C Dorian, stable bass ostinato.
A2
upper-triad rotation.
B
bass shifts to F/A♭.
Return
C pedal.
Functional climax
Dm7♭5-G7alt-Cm.
Outro
remove 3rd, leave suspended C field.
This is a complete composition without conventional chord density.