8626 / 18210 · Workshop 69 — Chord-Melody Architecture: Four-Way Close, Drop-2, Block Chords, Melody on Top, Inner-Voice Logic, and Turning a Single Line into a Piano “Section”← prev⊞ allnext →
69.99The deeper piano lesson
Your hands should gradually stop thinking:
“Here is melody; now where do I put the chord?”
Instead:
“Here are four voices. One happens to be the melody and must remain in front.”
That is a far more flexible conception.