9184 / 18210 · Workshop 75 — Intervallic Improvisation: Fourths, Fifths, Wide Leaps, Octave Displacement, and Making Modern Lines Sing Without Losing the Harmony← prev⊞ allnext →
75.51Reverse it
C-G-D.
D-A-E.
Now descending fourth/fifth relationships create different energy.
Again:
chord structure becomes line.