BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
9561 / 18210 · Workshop 78 — Upper-Structure Voice Leading in Motion: Keeping Rich Extensions Smooth Across Chords Instead of Treating Each Voicing as a Separate Shape← prev⊞ allnext →

78.95Mini-composition exercise

Write 24 bars where upper-voice motion generates most of the harmonic sophistication.

Requirements:

  • at least one ii–V–I with three-note RH voicings
  • one common tone surviving three harmonies
  • one A→A♭→G top line
  • one E→E♭→D line
  • one G7alt upper structure resolving by three individually planned voices
  • one sus→dominant→altered progression
  • one tritone substitution where most RH notes remain
  • one borrowed iv with a smooth chromatic inner line
  • one chromatically planed upper structure
  • one half-step modulation voiced mostly by semitone motion
  • one deliberate large melodic leap after several bars of minimal motion

The listener should hear rich harmony, but the pianist should feel surprisingly little physical motion.