9565 / 18210 · Workshop 78 — Upper-Structure Voice Leading in Motion: Keeping Rich Extensions Smooth Across Chords Instead of Treating Each Voicing as a Separate Shape← prev⊞ allnext →
78.99The larger lesson
At earlier stages, harmony looked like:
Cmaj7
Dm7
G7
etc.
Later it looked like:
functions.
Then:
bass lines.
Then:
guide-tone paths.
Now even very rich extensions become:
individual melodic voices moving through a harmonic field.
That is a major step toward true arranging fluency.