BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
10020 / 18210 · Workshop 82 — Symmetrical Harmony and Harmonic Geometry: Diminished Cycles, Augmented Triads, Whole-Tone Motion, Major-Third Systems, and Escaping Ordinary Tonal Gravity← prev⊞ allnext →

82.113Mini-composition exercise

Write a 32-bar piece that begins tonally, enters symmetrical harmonic space, and returns to tonality.

Requirements:

  • opening clearly establishes one major or minor key
  • one C-like tonic→augmented→destination transformation
  • one chromatic-mediant move with a preserved common tone
  • one diminished seventh used as a genuine modulatory junction
  • one dominant ♭9 whose diminished upper structure is clearly audible
  • one whole-tone dominant passage
  • one augmented/major-third root cycle
  • one tritone-substitution event preserving the guide-tone shell
  • at least four bars where tonic gravity is deliberately weakened by symmetrical material
  • one motif sequenced through a symmetrical interval pattern
  • symmetry must be broken by a deliberately asymmetrical tonal event
  • final cadence must be simpler than the symmetrical climax

The listener should experience:

home → geometry → uncertainty → new possibilities → gravity restored.