10022 / 18210 · Workshop 82 — Symmetrical Harmony and Harmonic Geometry: Diminished Cycles, Augmented Triads, Whole-Tone Motion, Major-Third Systems, and Escaping Ordinary Tonal Gravity← prev⊞ allnext →
82.115Apply it to “Mack the Knife”
For a late solo or transition:
keep the main swing language intact.
At one turnaround:
replace a normal dominant with:
whole-tone G7♯5 color
or:
diminished G7♭9 color.
For a modulation:
a brief augmented/diminished connector can create theatrical suspense before the new key appears.
Do not turn the whole arrangement into symmetrical harmony.
One well-placed destabilization will be more effective.