10885 / 18210 · Workshop 89 — Independent Clocks at the Piano: Separating Bass Time, Chord Time, Melody Time, and Phrase Time Without Losing the Groove← prev⊞ allnext →
89.135Mini-composition exercise
Write a 32-bar solo-piano study where rhythmic independence is the primary compositional idea.
Requirements:
- first 4 bars establish a clear shared pulse
- bass and chord attacks must separate noticeably by bar 5
- one passage with walking quarter-note bass and sparse offbeat comping
- one passage with sustained melody over independently moving inner harmony
- one passage where bass announces a harmonic change before RH
- one where RH anticipates bass
- one melody phrase beginning on 4&
- one phrase continuing across a formal 8-bar boundary
- one bar with no chord attacks at all
- one bar with no bass
- one intentionally synchronized ensemble hit
- one section with three distinct articulations: bass, inner comp, melody
- one 3-against-2 or 3-beat-vs-4-beat independence effect
- one two-beat silence where internal time must continue
- final cadence must resolve in stages rather than all parts simultaneously
The piece should sound as if:
several musicians are listening to one another while sharing one body.