29.25Guide tones make excellent inner voices
In ii–V–I:
Dm7 → G7 → Cmaj7.
One guide line:
C → B → B
another:
F → F → E
Keep melody separate.
These slow inner motions create harmonic clarity.
In ii–V–I:
Dm7 → G7 → Cmaj7.
One guide line:
C → B → B
another:
F → F → E
Keep melody separate.
These slow inner motions create harmonic clarity.