1859 / 18210 · Module 30 — Melodic Transformation: Changing the Tune Without Losing It← prev⊞ allnext →
30.69Use inversion as a counter-line
Main melody rises:
E-F-G-A
Counter-line descends:
C-B-A-G
The melody stays intact.
Its mirrored counterpart creates a deeper transformation of texture.