3026 / 18210 · Workshop 11 — “Body and Soul”: Chromatic Harmony, Delayed Resolution, and Hearing the Melody as the Top Voice of the Chords← prev⊞ allnext →
11.49But do not telegraph every surprise
If you slow down before every substitute chord:
the listener begins expecting it.
Keep some chromatic changes flowing in time.
Reserve rubato for structural points.