2983 / 18210 · Workshop 11 — “Body and Soul”: Chromatic Harmony, Delayed Resolution, and Hearing the Melody as the Top Voice of the Chords← prev⊞ allnext →
11.6Fourth version
Dm7 → A♭7 → G7 → Cmaj7
Now A♭7 functions as a chromatic predominant/dominant-side color.
But don’t memorize that label first.
Hear the bass:
D → A♭ → G → C.
If the voice leading works, the chord can sound convincing.