BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
2983 / 18210 · Workshop 11 — “Body and Soul”: Chromatic Harmony, Delayed Resolution, and Hearing the Melody as the Top Voice of the Chords← prev⊞ allnext →

11.6Fourth version

Dm7 → A♭7 → G7 → Cmaj7

Dm7 → A♭7 → G7 → Cmaj7

Now A♭7 functions as a chromatic predominant/dominant-side color.

But don’t memorize that label first.

Hear the bass:

D → A♭ → G → C.

If the voice leading works, the chord can sound convincing.