3632 / 18210 · Workshop 18 — “Have You Met Miss Jones?”: Sudden Key Centers, Major-Third Modulations, and Staying Oriented When Harmony Jumps← prev⊞ allnext →
18.34Level 12 — chromatic approaches to new tonic
Suppose target tonic 3rd is C in A♭ major.
Approach:
B → C.
Suppose target F♯ in D major:
F → F♯.
A simple half-step can make the modulation sound deliberate.