3648 / 18210 · Workshop 18 — “Have You Met Miss Jones?”: Sudden Key Centers, Major-Third Modulations, and Staying Oriented When Harmony Jumps← prev⊞ allnext →
18.50Level 21 — bass movement through modulation
The ii–V roots themselves usually create strong motion:
G → C → F.
Then perhaps a jump to the next ii.
Do not try to smooth every large root jump.
Sometimes the leap is part of the tune’s character.