6252 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →
45.14Level 4 — bass tumbao concept
A typical Afro-Cuban bass approach does not simply hammer roots on beat 1.
One of the characteristic concepts is:
anticipating harmonic destinations before the downbeat.
Let's build a simplified practice pattern.
Stay on C minor.
LH:
G on beat 2
C on 4&.
Then hold C through next beat 1.
So:
the tonic bass arrives before the next bar.