6253 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →
45.15Why 4& matters
In many groove languages we already encountered:
4& → next 1
as anticipation.
Here it becomes especially important.
The bass can tell us:
the next harmony is already arriving
before the barline.