6337 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →
45.99The larger musicianship goal
You should eventually be able to sit at the piano and simultaneously know:
where beat 1 is
which half of the clave you are in
where the bass pattern is
where the harmony is going
what RH pattern is repeating
where your melodic phrase is going
without consciously verbalizing any of it.
That sounds impossible when written as six tasks.
But remember what we learned from “Giant Steps”:
fluency comes from chunking.
Eventually you do not track individual events.
You hear:
the groove as one object.